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(1881-1955)
Fernand Léger was born in Argentan, Normandy and was apprenticed to an architect in Caen between 1897-1899. He then worked as a draughtsman in an architect's office in Paris between 1900 and 1902, and in a photographic studio, retouching photos from 1903-1904.
In 1903, he failed the entrance examination for the Ecole des Beaux-Arts and studied instead at the Ecole des Arts Decoratifs and the Académie Julian. From 1909 he was associated with the Cubists and became a member of the informal Puteaux Group two years later.
In 1913, he signed a contract with Daniel-H. Kahnweiler (who had already discovered Picasso and Braque). During his Cubist period his tubular and curvilinear abstractions contrasted with the rectilinear forms produced by these painters while he became the first of the Cubists to experiment with non-figurative abstraction.
After having been gassed during the First World War, he was discharged in 1917 and became a close friend of Le Corbusier and Ozenfant. He collaborated with Ozenfant in the Atelier Libre and in 1925 he exhibited at Le Corbusier`s Pavilion de I`Esprit Nouveau.
In 1925 also he did mural decorations in collaboration with Robert Delaunay for the entry hall of the exhibition Les Arts Décoratifs. During his collaboration with the leaders of the Purist movement his works exemplified the “machine aesthetic” which Purism exemplified. His paintings were static, with the precise and polished appearance of machinery, and he had a strong inclination for including representations of mechanical parts.
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